I’m cut up
I’m cut up
like a collage. My head’s where my knee should be. At least the mouth is. My
nose is fixed like a cap to my neck. There’s a saxophone instead of my left
foot. And Elon Musk’s space ship is where my heart should be. Should be, that’s
if the whole thing wasn’t a moving trainset going over a series of cups and
jigsaw blades set amongst a 17th century rainforest, with the
Indigenous trading with aliens for a concert hall in place of what? Did I say
it was an artwork racist at its heart? It belonged to Herman Goering who modified
it with a team of concentration camp child slaves. But you know it’s hot
amongst the Monaco set and is projected onto some IMAX-like cinema screen as
background entertainment for old billionaires, while they are fed from the
bellies of beauty queens sourced by a former president of some country you’ve
never heard of but probably declared war on through your giraffe-headed-rainbow-footed
popularly elected leadership bottoms, who carry shopping bags for a 5-sided Kandinsky
rubics cube toasted cheese sandwich in a panda onesie. It’s on my wall.
Projected back out at me through my bathroom mirror when the music stops and I
brush my pearly whites.
By Malachi
Doyle 2021.
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