The drift
of the invisible poem
Some people
have spoken of the invisible poem
The soul or
spirit of the work
That which moves
beneath the surface
The resonances
which come to the listener
Much much
later
As sending a
listener through a portal
Country poems
are slow
As the
Indigenous say
Requiring ‘Deep
Listening’
Not acquisitional
question-&-answer fast knowledge
That as Kev
Carmody says is
“the aridity of human objectivity”
Much pop
culture
Is rootless &
placeless
It’s surface
based
Aiming at
quick impact
Quick uptake
Which generally
fades quickly
Fads
Having moved
back to the city
From the
country
One becomes
aware of how
Self important
poems here are
& how
melodramatic & self aggrandising
The affairs of
people are taken to be
In nature,
the bucolic lives
& one is
humbled before it
One realizes
As Max Sometimes
says
That we are
merely “food for the trees”
A kind of
fungus flower
Through echoes
& resonances
That are
organic & selfless
Thus we may
enter portals through time
The
Infinite/Intimate life-attuned
Such is the drift
of the invisible poem
Pre-Spring
is here
Mid to late
July this year
How do we
know this?:
A) The wattle is out &
B) The birds are singing their spring
songs with fresh feathers, the noisy mynah birds living up to their name as
they defend their new born hatchings against predators & the encroachment
of man
Published
& Copyright Malachi Doyle 2025.
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